LaLia wrote: Mon May 05, 2025 9:59 pm
For my taste, the focus on one story was far too small, but it was still well written, and the sexual plot was described in great detail.
I liked the first two parts best, and then the end again; some of the parts were a bit too short. I would have made parts 5 and 6 into one part, but since you posted them one after the other, it was hardly noticeable.
One small criticism: At one point or another, I had the feeling that it wasn't a nightmare for Jenn at all and that she actually enjoyed it. Was that intentional, or did the moaning, which occurred frequently, give the wrong impression?
Hi Lia!
I'm not surprised to hear this from you about Jenn enjoying it a bit too much. This is a story I wrote a couple of years ago, and I posted it "as is" after a newly arrived reader PM'd me about this story, which was first posted on RU. Since I was very busy and not in the mood to write that type of story, I posted it as is.
Now, there's no way I would write it the same today. I would indeed give some more depth to the characters and Jenn's feelings would be deeper in nightmare land. I've been strongly infected by those 70s and 80s movies with those rape scenes where the girl ends up enjoying it. I was exposed to the worst time period for sexploitation in movies during my teenager, formative years

But yes, there are better ways to explore forced orgasm in its complexity.
Outrage (1950) was arguably the first movie that seriously explored the trauma of a rape. This part of the synopsis tells a lot "
Returning home, Ann's parents learn of what happened and contact the police. Though the police and her family, friends, and fiancé, Jim, are supportive, Ann believes that the neighbors are gossiping about her and that Jim can no longer see her as she once was. After being forced to look at a lineup of men with scars, none of whom she can identify as her attacker, Ann runs away, taking the bus to Los Angeles on a whim."
It was written and directed by Ida Lupino (1918-1995), a British actress, director, writer, and producer. Thus, it is truly interesting and even more so as it was actually written by a woman. In 2020,
Outrage was selected for preservation in the National Film Registry by the Library of Congress as being "culturally historically or aesthetically significant".