That's a very good question. There's a few answers, and a lot of them stem from the fact that I'm a huge movie nerd. I went to film school. While I started writing traditional stories, I really didn't find my voice until I started writing for visual formats. Web forums, roleplays, commercial work, student films, news shows, I've done them all.Lucius wrote: Thu Jun 26, 2025 6:18 pm @LtBroccoli What is the particular attraction of the screenplay format for you? The challenge of working within the strict limits imposed by the form, the possibility to visualize the action?
For what they bring, they allow an easy way to visualize and create the images and scenes described. If you ever get some time, find a screenplay or teleplay of a movie or show you like, preferably one where the director and writer are different people. Sometimes a writer will cheat on their script if they're shooting it. But watch the movie and read the scenes how they're described, and see how the director interpreted those.
I love the challenge of restrictions. It's just the way I am. Tell me I can write a story about anything, and I'll stare at a wall all day long. Tell me I have to write a story about a blue pen and it has to be 3k words or 20 pages, and I'm writing like my hands are on fire. Screenplays force me to write active voice and only what I can show. I can't fall back on what a person thinks without a narrator. How can I hear the protagonist's thoughts? How do I know he's depressed if I don't describe him being so. They also have to get to the point. I can't spend 500 words describing how the smell of her perfume reminded him of happier times, I only have a sentence or two to show it. I can show him taking in a deep breath as she walks past and him smiling, then looking at her longingly as she walks away. Then I'm on to the next shot.
The script version I'm writing and publishing are the initial versions, before the director and producers get their hands on it. Producers will mark up their copies for various things they need to do to make the scene happen, like what locations they'll need, what actors are on set, if extras are needed, what SFX are needed, etc. Directors will take their copy and create a shooting script, where they'll mark what shots they want to use. I normally keep camera directions out unless I really, really want the reader/viewer to see a shot a specific way. I have one scene where MC is interviewing the Big Baddie and the camera does a slow spiral down, starting from the ceiling and focusing on them as they each talk. They go back and forth, the motion is meant to draw the viewer in, like they're being drug down a drain or whirlpool, until it settles on the Baddie as the MC says the big reveal, shocking the viewer. Normally the Director will mark the script with what they want in each scene, like close ups on characters, wide or two shots, establishing shots, etc. They'll then take the shooting script, make a shot list and make/have made for them storyboards or a pre-viz. Storyboards are basically the Director's comic book, showing how they want to shoot the story. That gets broken down further by various staff who make it happen.
When I write, I picture the story how I want to see it. Even traditional narratives, I see them like a movie. I like telling stories both ways, but I really feel comfortable with the script. And it's a change of pace.
Thanks, those were very good questions, and I went deep into the rabbit hole.